{"id":3183,"date":"2018-07-22T06:07:09","date_gmt":"2018-07-22T09:07:09","guid":{"rendered":"http:\/\/ebp.org.br\/sp\/?p=3183"},"modified":"2018-07-22T06:07:09","modified_gmt":"2018-07-22T09:07:09","slug":"match-exposicao-a-letra-e-a-traca-da-letra","status":"publish","type":"post","link":"https:\/\/ebp.org.br\/sp\/match-exposicao-a-letra-e-a-traca-da-letra\/","title":{"rendered":"#Match &#8211; Exposi\u00e7\u00e3o &#8220;A letra \u00e9 a tra\u00e7a da letra&#8221;"},"content":{"rendered":"<figure id=\"attachment_3184\" aria-describedby=\"caption-attachment-3184\" style=\"width: 807px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3184 size-full\" src=\"https:\/\/ebp.org.br\/new\/sp\/wp-content\/uploads\/2018\/07\/boletim3_008-1.png\" alt=\"\" width=\"807\" height=\"378\" srcset=\"https:\/\/ebp.org.br\/sp\/wp-content\/uploads\/2018\/07\/boletim3_008-1.png 807w, https:\/\/ebp.org.br\/sp\/wp-content\/uploads\/2018\/07\/boletim3_008-1-300x141.png 300w, https:\/\/ebp.org.br\/sp\/wp-content\/uploads\/2018\/07\/boletim3_008-1-768x360.png 768w\" sizes=\"auto, (max-width: 807px) 100vw, 807px\" \/><figcaption id=\"caption-attachment-3184\" class=\"wp-caption-text\">(Foto: Website Instituto Tomie Ohtake)<\/figcaption><\/figure>\n<p class=\"normal\" style=\"margin: 0cm; margin-bottom: .0001pt; text-align: justify; background: white;\"><span style=\"font-size: 12.0pt; color: #26282a;\">O Instituto Tomie Ohtake traz a exposi\u00e7\u00e3o &#8220;A letra \u00e9 a tra\u00e7a da letra&#8221;, de Helena Trindade, a curadoria \u00e9 de Gl\u00f3ria Ferreira. Nas instala\u00e7\u00f5es, compostas por esculturas, v\u00eddeos, fotografias, objetos e performance, a artista organiza um conjunto po\u00e9tico a partir da letra. Na abertura da exposi\u00e7\u00e3o, em (a) MURO, dois muros s\u00e3o (des) constru\u00eddos a partir de est\u00eanceis de letras, que abordam, segundo a artista, aspectos do funcionamento da linguagem, e evocam Lacan quando se referem ao &#8220;muro de linguagem\u00a0 que se op\u00f5e \u00e0 fala&#8221;, remetendo ainda ao neologismo lacaniano (a) mur, que conjuga as palavras &#8220;amor&#8221; e &#8220;muro&#8221;.\u00a0<\/span><\/p>\n<h6>Local: Instituto Tomie Ohtake<br \/>\nEndere\u00e7o: Av. Brigadeiro Faria Lima, 201, Pinheiros, S\u00e3o Paulo &#8211; SP<br \/>\nAbertura 12 de julho \u00e0s 20 h.<br \/>\nVisita\u00e7\u00e3o at\u00e9 19 de agosto.<\/h6>\n<h6><a href=\"https:\/\/www.institutotomieohtake.org.br\/exposicoes\/interna\/helena-trindade-a-letra-ac-a-traasa-da-letra\">https:\/\/www.institutotomieohtake.org.br\/exposicoes\/interna\/helena-trindade-a-letra-ac-a-traasa-da-letra<\/a><\/h6>\n","protected":false},"excerpt":{"rendered":"<p>O Instituto Tomie Ohtake traz a exposi\u00e7\u00e3o &#8220;A letra \u00e9 a tra\u00e7a da letra&#8221;, de Helena Trindade, a curadoria \u00e9 de Gl\u00f3ria Ferreira. Nas instala\u00e7\u00f5es, compostas por esculturas, v\u00eddeos, fotografias, objetos e performance, a artista organiza um conjunto po\u00e9tico a partir da letra. Na abertura da exposi\u00e7\u00e3o, em (a) MURO, dois muros s\u00e3o (des) constru\u00eddos&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"post_series":[],"class_list":["post-3183","post","type-post","status-publish","format-standard","hentry","category-jornada-2018","entry","no-media"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/ebp.org.br\/sp\/wp-json\/wp\/v2\/posts\/3183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ebp.org.br\/sp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ebp.org.br\/sp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ebp.org.br\/sp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ebp.org.br\/sp\/wp-json\/wp\/v2\/comments?post=3183"}],"version-history":[{"count":0,"href":"https:\/\/ebp.org.br\/sp\/wp-json\/wp\/v2\/posts\/3183\/revisions"}],"wp:attachment":[{"href":"https:\/\/ebp.org.br\/sp\/wp-json\/wp\/v2\/media?parent=3183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ebp.org.br\/sp\/wp-json\/wp\/v2\/categories?post=3183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ebp.org.br\/sp\/wp-json\/wp\/v2\/tags?post=3183"},{"taxonomy":"post_series","embeddable":true,"href":"https:\/\/ebp.org.br\/sp\/wp-json\/wp\/v2\/post_series?post=3183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}