{"id":3302,"date":"2020-11-07T07:25:06","date_gmt":"2020-11-07T10:25:06","guid":{"rendered":"http:\/\/ebp.org.br\/mg\/?p=3302"},"modified":"2020-11-07T07:25:06","modified_gmt":"2020-11-07T10:25:06","slug":"curinga-047","status":"publish","type":"post","link":"https:\/\/ebp.org.br\/mg\/curinga-047\/","title":{"rendered":"curinga 047"},"content":{"rendered":"<h3><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-3114 alignright\" src=\"http:\/\/ebp.org.br\/mg\/wp-content\/uploads\/2020\/10\/curinga047-221x300.jpg\" alt=\"\" width=\"221\" height=\"300\" \/>AUTOR<\/strong><\/h3>\n<p>V\u00e1rios autores<\/p>\n<h3><strong>N\u00daMERO \/ EDI\u00c7\u00c3O<\/strong><\/h3>\n<p>47<\/p>\n<h3><strong>ANO<\/strong><\/h3>\n<p>2019<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>SOBRE O LIVRO<\/strong><\/h3>\n<p><strong>\u00cdNDICE<\/strong><\/p>\n<p>CURINGA 47<\/p>\n<p>&nbsp;<\/p>\n<p>CARTAS NA MESA<\/p>\n<p>10 O mestre, n\u00e3o todo<\/p>\n<p>Fernanda Otoni Brisset<\/p>\n<p>&nbsp;<\/p>\n<p>INTERNACIONAL<\/p>\n<p>18 H\u00e1 apenas isso: o la\u00e7o social<\/p>\n<p>Christiane Alberti<\/p>\n<p>&nbsp;<\/p>\n<p>O AVESSO DO MESTRE CONTEMPOR\u00c2NEO: CL\u00cdNICA LACANIANA<\/p>\n<p>30 O mito individual da psicose<\/p>\n<p>Antonio Beneti<\/p>\n<p>40 \u201cEur\u00eddice duas vezes perdida\u201d<\/p>\n<p>Elisa Alvarenga<\/p>\n<p>47 Transfer\u00eancia e acontecimento de corpo: suposto-saber-ler de outra forma<\/p>\n<p>J\u00e9sus Santiago<\/p>\n<p>61 O sintoma e o lugar da fala na psican\u00e1lise<\/p>\n<p>Laura Rubi\u00e3o<\/p>\n<p>67 O inconsciente \u00e0 flor da pele, ou a carne das palavras<\/p>\n<p>Luc\u00edola Freitas de Macedo<\/p>\n<p>76 <em>Ethos trolling<\/em>,<em> fake news<\/em> e capitalismo<\/p>\n<p>Maria Rita Guimar\u00e3es<\/p>\n<p>82 O mestre contempor\u00e2neo e o analista<\/p>\n<p>Ram Mandil<\/p>\n<p>90\u00a0 Interpreta\u00e7\u00e3o: a heresia do analista<\/p>\n<p>S\u00e9rgio Laia<\/p>\n<p>106 Como conceber a transfer\u00eancia na cl\u00ednica do Um que dialoga sozinho?<\/p>\n<p>Simone Souto<\/p>\n<p>&nbsp;<\/p>\n<p>EXTIMIDADES<\/p>\n<p>120 Entrevista com Jo\u00e3o Moreira Salles<\/p>\n<p>142 Tr\u00eas figuras do mestre grego antigo<\/p>\n<p>Teodoro Renn\u00f3 Assun\u00e7\u00e3o<\/p>\n<p>&nbsp;<\/p>\n<p>SUPERVIS\u00c3O: EFEITOS DE FORMA\u00c7\u00c3O<\/p>\n<p>158 O que a experi\u00eancia da supervis\u00e3o me ensina?<\/p>\n<p>Fernanda Otoni Brisset<\/p>\n<p>167 O que a experi\u00eancia da supervis\u00e3o me ensina?<\/p>\n<p>Helenice de Castro<\/p>\n<p>&nbsp;<\/p>\n<p>RESSON\u00c2NCIAS DO PASSE<\/p>\n<p>176 Crer no sintoma<\/p>\n<p>Fernando Vitale<\/p>\n<p>185 A itera\u00e7\u00e3o do S1 na solu\u00e7\u00e3o do final de an\u00e1lise: coment\u00e1rio ao Passe de Fernando Vitale<\/p>\n<p>Ana Lydia Santiago<\/p>\n<p>&nbsp;<\/p>\n<p>RADAR<\/p>\n<p>194 Momentos de crise<\/p>\n<p>Gil Caroz<\/p>\n<p>&nbsp;<\/p>\n<p>Capa: Eduardo Fonseca. <em>\u201cOs 15 minutos\u201d <\/em>(2017). \u00d3leo, acr\u00edlica, goma laca, folha de outro sobre tela. 15x30cm.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AUTOR V\u00e1rios autores N\u00daMERO \/ EDI\u00c7\u00c3O 47 ANO 2019 &nbsp; &nbsp; SOBRE O LIVRO \u00cdNDICE CURINGA 47 &nbsp; CARTAS NA MESA 10 O mestre, n\u00e3o todo Fernanda Otoni Brisset &nbsp; INTERNACIONAL 18 H\u00e1 apenas isso: o la\u00e7o social Christiane Alberti &nbsp; O AVESSO DO MESTRE CONTEMPOR\u00c2NEO: CL\u00cdNICA LACANIANA 30 O mito individual da psicose Antonio&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"post_series":[],"class_list":["post-3302","post","type-post","status-publish","format-standard","hentry","category-revista-curinga","entry","no-media"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - 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